{"id":10083,"date":"2020-08-31T15:21:05","date_gmt":"2020-08-31T15:21:05","guid":{"rendered":"https:\/\/staging.kaleelah.com\/blog\/your-guide-to-the-art-of-middle-eastern-and-islamic-ceramics\/"},"modified":"2020-08-31T15:21:05","modified_gmt":"2020-08-31T15:21:05","slug":"your-guide-to-the-art-of-middle-eastern-and-islamic-ceramics","status":"publish","type":"post","link":"https:\/\/staging.kaleelah.com\/en\/blog\/your-guide-to-the-art-of-middle-eastern-and-islamic-ceramics\/","title":{"rendered":"Your Guide To The Art Of Middle Eastern And Islamic Ceramics"},"content":{"rendered":"

The history of ceramics in Islamic art is unique like none of its contemporaries. The rest of the world was making unglazed pottery. Meanwhile, Islamic potters were developing a tin-opacified glazing. Some of these are on the blue-painted ware of Basra, Iraq, that dates as far back as 700 AD.<\/p>\n

Additionally, 9th century Iraqi Islamic potters also contributed to the creation of stonepaste ceramics. This is also known as fritware. Along with silica it also consists of a small amount of clay and ceramic frit. Fritware became so popular that it quickly spread to Egypt and other parts of the Islamic world from Iraq<\/a>.<\/p>\n

In the 8th<\/sup> century, Ar-Raqqah, Syria, became the first industrial complex for glass and pottery production. Other innovative ceramic pottery centers in the Islamic world soon followed. Some centers include Fustat in the 10th<\/sup> century, Damascus from the 12th<\/sup> century to somewhere around the 17th<\/sup> century, and finally Tabriz which started in the late 15th<\/sup> century and lasted until the middle of the 16th<\/sup> century.<\/p>\n

Lusterware<\/h2>\n

The 9th century saw a new type of pottery or porcelain that featured an iridescent metallic glaze. Today we know it as luster. At first, it was a painting technique for glass. However, Mesopotamians soon adopted it sometime in the between 800 AD and 900 AD.<\/p>\n

Islamic potters also borrowed the techniques, shapes and decorative motifs of Chinese ceramics. This happened especially after invasions of the Mongols and Timurids. Likewise, Western ceramics had very little influence. Although many in Europe sought out Islamic ceramics and often tried to duplicate it. One need to look no further than the albarello for an example. The albarello is a type of earthenware jar Europeans crafted. Originally designed to hold apothecary ointments and dry drugs, the Islamic Middle East was actually the first to develop it.<\/p>\n

Hispano\u2013Moresque Style<\/h2>\n

This style emerged in Al-Andaluz, or Muslim Spain, in the 8th century under Egyptian influence. Hispano\u2013Moresque examples were exported to Italy, inspiring the earliest Italian examples, from 15th century Florence. The style was an amalgamate of Islamic and European elements which introduced two ceramic techniques. One was glazing with an opaque white tin-glaze and the other painting in metallic luster.<\/p>\n

The finest examples of ceramics, however, come out of 16th<\/sup> century Ottoman Iznik pottery. It produced gorgeous ceramic Iznik tiles along with these huge vessels. Chinese Yuan and Ming ceramics influenced the latter and thus these had beautiful Chinese floral motifs.<\/p>\n

If you enjoyed this article on the art of Islamic ceramics and would like to learn more about Arab culture or you\u2019d even like to learn Arabic language skills, please visit our website to find out how you can learn to speak Arabic starting today. Studies have shown that Arabic learning apps are the best way to learn Arabic and Arabic dialects and the Kaleela Arabic learning app lets you learn Arabic language skills on your own, at your own pace, whenever and wherever you want. Visit our website or go to Google Play to find out how you can download<\/a> our Arabic learning app to your IOS or Android mobile device and start speaking Arabic now. <\/p>\n

Kaleela \u2013 Learn Arabic the Right Way!<\/p>\n","protected":false},"excerpt":{"rendered":"

The history of ceramics in Islamic art is unique like none of its contemporaries. The rest of the world was making unglazed pottery. Meanwhile, Islamic potters were developing a tin-opacified glazing. Some of these are on the blue-painted ware of Basra, Iraq, that dates as far back as 700 AD. Additionally, 9th century Iraqi Islamic […]<\/p>\n","protected":false},"author":1,"featured_media":10073,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[70,65],"class_list":["post-10083","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","tag-about-arabic-language","tag-arab-culture"],"yoast_head":"\nYour Guide To The Art Of Middle Eastern And Islamic Ceramics - Kaleela App<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Your Guide To The Art Of Middle Eastern And Islamic Ceramics\" \/>\n<meta property=\"og:description\" content=\"The history of ceramics in Islamic art is unique like none of its contemporaries. 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